How to use the rhythm dictation trainer
- Pick a time signature, one or two bars, and how many choices you want (3 or 4).
- Tick the note values to include. Half, quarter and eighth notes are on by default. Add sixteenths, dotted notes or rests when ready.
- Press Play. You hear one bar of clicks to set the pulse, then the rhythm. High clicks mark the first beat.
- Tap the notation that matches, or press 1 to 4. Press R to replay.
- The correct rhythm is marked Heard after you answer, and your pick is marked Your pick.
Tip: tap or clap along with the replay before you look at the choices, and say the rhythm aloud with counting syllables.
Note values and rests
| Value | Beats in 4/4 | Written as |
|---|---|---|
| Whole note | 4 | Open head, no stem |
| Dotted half | 3 | Open head, stem, dot |
| Half note | 2 | Open head, stem |
| Dotted quarter | 1.5 | Filled head, stem, dot |
| Quarter note | 1 | Filled head, stem |
| Dotted eighth | 0.75 | Filled head, stem, flag, dot |
| Eighth note | 0.5 | Filled head, stem, one flag |
| Sixteenth note | 0.25 | Filled head, stem, two flags |
Each note value has a matching rest of the same length. In this trainer the rhythm sits on a single line, so you read duration only and not pitch.
Choosing a time signature
4/4 has four quarter-note beats and a strong first beat. 3/4 has three. 6/8 is a compound meter: six eighth notes grouped into two beats of three, so the click falls on every dotted quarter.
Common questions
Why is there a count-in bar?
The clicks establish the pulse before the rhythm starts. Hearing rhythm against a steady beat is how it is normally read and played.
The choices look alike. What should I listen for?
Compare where the notes start relative to the clicks. Differences often hide in one beat, such as two eighths versus a dotted eighth and a sixteenth.
How are the wrong choices made?
Each wrong choice is a different rhythm of the same length that uses your selected note values, so the bar always adds up exactly.
Can I practise with a slower tempo?
Yes. Choose 60 BPM for quarter-note beats. Slow playback makes sixteenths and dotted rhythms much easier to separate.
Sources
- Open Music Theory: Simple meter and time signatures: Beat, division and time signatures in 4/4 and 3/4.
- Open Music Theory: Compound meters and time signatures: Why 6/8 has two beats of three eighths.
- Note value, reference article: Relative durations of whole to sixteenth notes and rests.